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Photographic Trickery 
and the Likelihood of  Fraud

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Was the same person in both photos? Or was one a copy of the other?

"To complete the cover-up, all that was left to do was to reconstruct the very same scene, using one of Hitler's doubles on the Berlin bunker floor, for the Russians to discover."


A blurred portrait is visible in the controversial photos of Adolf Hitler's "doppelganger suicide." In  the picture above on the left, the out of focus portrait was  placed directly onto the corpse. In the Russian movie footage frame on the right, the blurred portrait appears as a prop in the background. This change of position invites serious speculation that the body may also have been moved, switched, or meddled with between photos. 

It was recently brought to our attention that the out-of-focus portrait on the corpse is actually a picture of the Fuhrer himself. (We previously suspected it may have been a photograph of Eva Braun.)  The portrait is from a now-famous series of photos taken by Heinrich Hoffmann, who was Hitler's personal photographer and "corporate" image maker. Eva Braun was Hoffmann's model and darkroom assistant. Whoever included that portrait in the morbid bunker death scene as a means of identifying the corpse may have done so to lend authenticity to Hitler's suicide deception. But we think it casts a spotlight directly on Heinrich Hoffmann's delight for photographic trickery and the likelihood of  fraud. The ridiculous presence of a Hoffmann poster exactly on Hitler's own dead body for the purpose of identification was almost an outright confession of photographic hocus-pocus, with some help from Eva Braun.

Imagine that you're a high-ranking public official 
for one of the world's most powerful governments 

 

The phone rings and suddenly a man who introduces himself as "the butler" calmly informs you that the head of your government is dead. But the courteous butler asks you to trust him on this, because there's nothing to prove his claim, other than disfigured parts of a charred corpse with one testicle, and some gasoline rags, rammed into the ground-soil of a garden with a clumsy wooden club.

Being a responsible civil servant, you quiver and wonder why it was necessary to dismiss your leader's body in such a macabre way. No funeral or burial rites? Diplomatic Corpus strictly forbids the morbid abuse of the deceased body of a head of state. Doing so would constitute a serious crime.

"I did it with the bodyguard," the butler's voice politely cuts you off, "to prevent the enemy from desecrating his body."

While the reason for destroying essential evidence may seem dubious, if not bogus, you must now make a critical choice: Either insist on more proof, including photographs, or simply trust the butler and affix your signature to a formal agreement for the transfer of world power.

This report seeks to establish that at least one of the exhibited Hitler suicide photos was authentic. Other photos and filmed scenes were of his dead look-alike, in almost exactly the same pose.

Investigation News

The World Was Lied to About Hitler's Death

The Hidden Origins of Nazism
 


The top right photo is how Hitler's suicide picture was shown in most reports. Visible parts of his white shirt (below the blue arrow) suggest that his vest-front was fastened or buttoned on the left side of his uniform. But according to western military dress regulations,  the side-fronts of vests, shirts, and coats should always be fasten with rows of buttons located on the right side of the male soldier's uniform.

The confusing vest evokes the idea that the picture may have been intentionally printed in reverse from left to right, to mirror the image and misrepresent details of locality. The correct dress orientation is in the bottom photo.

Printing negatives backwards is a trick used by portrait photographers to present desirable views because their subjects are accustomed to seeing themselves in mirrors. (See: photographer Hoffmann; assistant, Eva Braun.)


In a propaganda video released after the destruction of the World Trade Center, Muslim terrorist chief Osama bin Laden appeared to be wearing his watch on the wrong hand, and also upside-down. Another explanation is that the video images were mirrored in reverse to cover up details of bin Laden's secret bunker location.


Although the Berlin bunker witnesses never mentioned it in their testimonies, there is a high probability that the successors of Nazism would have required an authentic image of Hitler's corpse before it was destroyed by fire. The photographic evidence would not have been intended for Allied investigators, but for remaining top-ranking Germans who would have certainly desired legitimate details of his death. Such admissible proof would need to serve two purposes: to convince Reich hardliners that Hitler was indeed dead, yet to also mislead the Allies in their inquiry, without failing lie detector tests. Therefore, at least one suicide picture may have been a genuine image of Hitler, not his double (or doppelganger). The photographic negatives, or exposed film in a camera, may have been intentionally left in the Berlin bunker for the Russians to discover. The photo would almost exactly match the movie film footage of Hitler's dead double, taken by the Red Army.

While we know that one of Hitler's doppelgangers died in the Berlin Chancellery bunker, the real Adolf Hitler may have died elsewhere, perhaps even in the German National Redoubt, which was never found by the Allies. If so, an elaborate suicide cover-up would have been required for an important reason: to hide the true whereabouts of the National Redoubt, which according to some observers, was the secret site of Nazi nuclear weapons research. To conceal its location, it would have been necessary to spread a new propaganda  myth that there never was a hidden mountain Redoubt, no Nazi nuclear weapons site, and the Fuhrer directed the war from his Berlin bunker, where he finally committed suicide.

An authentic image of Adolf Hitler's corpse was perhaps needed to circulate throughout the world and inform escaped or imprisoned Nazi activists, while deceiving the Allied search.  Here is where Hoffmann's photographic trickery came into play: the well-known Fuhrer's portrait was printed in reverse, as a mirror image from left to right, and placed on the body of the real Adolf Hitler laying dead on a floor, somewhere in the German National Redoubt. The corpse's death scene was then carefully photographed and also printed in reverse (duplicated on film). The Fuhrer's portrait on Hitler's body would now appear normal again; with its left and right appearance restored to the correct, original view. Although there would be a slight increase in image contrast, no one would suspect tampering. 

But the very small background details of the National Redoubt floor's surface would be seen the other way around, and not match properly with other Allied intelligence photos. An authentic photo of Hitler's death could thus be released for Nazis in custody and on trial to view and allude to as an absolute fact, without failing lie detector tests. But the details of the Redoubt killing floor would never be compromised or shown plainly to Allied investigators. To complete the cover-up, all that was left to do now was to reconstruct the very same scene, using one of Hitler's doubles on the Berlin bunker floor, for the Russians to discover. Of course, the Fuhrer's famous portrait would also be placed conspicuously among the bunker debris, as the misleading "clincher." Soon enough, the burnt remains of the real Adolf Hitler would turn up in the Chancellery garden, nowhere near the hidden National Redoubt.


Was the same person in both photos? 

One of the Hitler suicide photos displays greater contrast and sharper focus than the other pictures. It may have been taken by a still camera with well-defined exposure settings and better lens quality than the photos which were printed from blurred Russian movie footage. The bunker room lighting contrast is not identical in both pictures below. In the well-defined photo (left), the shadows are dark enough to block out all details under the chin. But the Russian film frame photo shows softer shadows, allowing us to see skin tones and fabric textures in the shaded regions. There is also a barely noticeable difference from the light source (of just a few degrees) in the angle of the shadow which falls from the nose to the mouth. In the Russian film frame photo (right), the angle of the shadow is very slightly displaced toward the center of the upper lip. If the Nazis did indeed produce a multiple fraud with near-microscopic precision, it would have probably been the most important, and expensive, cover-up in history. Remarkably, the characteristic mustache which Hitler was well-known for is not clearly discernible in either of the photos. Below are some other confusing points:

The missing mattress: In the well-defined photo (left), Hitler's corpse seems to be laying with his head at the corner of a stained mattress. But in the Russian movie film frame (right), the mattress is not visible. In other film scenes the mysterious stain appears to be from the side of  a car tire! Although the film frame was shot from a different camera angle than the other photo, the edge of the dark stain should be visible above the body's shoulder or behind his coat lapel. A portrait (of the Fuhrer) on Hitler's body in the left photo was moved to the background in the right frame. Perhaps the body and other objects were also moved.

Was one scene a reconstructed copy of the other?

The open mouth: In the well-focused photo (left), Hitler's mouth is gaping wide enough to expose a tooth or part of his tongue. His upper lip appears to be cracked and smudged. But in the Russian film frame the mouth seems almost shut, with no visible smudge marks on the upper lip. When a camera lens is out of  focus, details will appear blurred and lines will thicken as the light rays scatter from edges and contours. This can be seen in the apparently larger size of the forehead bullet wound in the blurred frame on the right. Yet, the outline of the mouth does not appear to be thicker or larger in that photo, but thinner and narrower than in the picture on the left.

The mutilated or cauliflower ear: The anatomical structure of the external ear changes from person to person. A doppelganger who may otherwise appear to be an exact look-alike of someone else will probably have noticeable differences in the elevated ring of cartilage on the external ear. The fleshy ear lobe may also display separate features. As a means of removing undesirable clues, the ear was apparently mutilated to avoid comparison. In both photos, the ear seems thickened and deformed, perhaps by repeated blows.


After a closer examination of the official Russian film footage, we still have an impression that two different bodies may have been used to throw Allied investigations into disorder. We suspect that the cluttered, mixed up "background noise" in some scenes was actually carefully planted to resemble parts of shots taken from another setting. One of the corpses was probably burned in the Chancellery garden, but both were photographed or filmed in almost the same pose, with details and background components that nearly matched.

Although the same person seems to be in both frames, a white area next to the face in the right image is not present in the left frame. The body may have been moved, with one scene recast to almost identically resemble the other.

Sharp differences at the edge of the mouth indicate that it may not be the same person in these two frames. Notice how the ear is deformed to prevent further identification.

  

Are the dark stains in the background really identical in both frames? Or can we detect inconsistencies in what may have been a meticulously painted forgery?

 

In the frame on the right, the corner of some light-colored, rectangular object(s) can be seen on the floor, just behind the back of Hitler's head. But the converging edges of this flat-sided object are not visible in the photo on the left. 

The reality of no floor object(s) seen in one picture seems to indicate (together with the missing bloodstained mattress) that Hitler's body may have been moved between photos. But if so, it appears that the corpse was carefully lifted up and placed on the floor again with near exact precision. This probably would have required a team of photo-stylists to make sure each detail, including the folds on both sides of the coat-front and the hanging strands of hair, matched as much as possible in both pictures. Yet there is no reason why the Russian Army would have contrived such a deception. It is more likely that one of the two suicide photos was produced by a different camera, perhaps even in a different bunker or at an earlier time. How the Soviets may have taken possession of it remains a mystery. Various Reich military cameras were no doubt found on the Chancellery bunker shelves and in pieces of luggage.

  While it may not be possible to determine if it's the same person in these photos, sufficient evidence seems to indicate that the body was moved between photos. How far had Hitler's body been moved, just a few feet - or almost two thousand kilometers?  Continue>  

UPDATE: Since the publication of this report, other websites have independently advocated some of our conclusions. While a characteristic poll suggests there is not enough evidence to confirm Hitler's suicide, some offbeat visitors' remarks include:
 
I think Hitler never died in 1945. I think that he had someone die for him...  The "dead Hitler" pictures are interesting, I heard that Hitler had three doubles and the Russians found one of them dead in a water tank in the bunker... It doesn't look like the same man in the two pictures of Hitler's body... They did find someone dead in the Chancellery square, this is the gentleman in the two separate pictures, but not Hitler!.. I am quite certain that the two pictures provided of his so called corpse are of two separate men, and that his real body has been hidden by some government... I think the Hitler on the left looks kinda Chinese... Until I see DNA results, I won't believe it!... I was always one of the people that believed that he had shot himself. But after seeing these pictures and other facts, I have changed my mind... I believe that Hitler had men who looked like him, killed one of them, and ran off and hid like bin Laden is doing... 

There is no doubt among intelligence circles that the above pictures constituted an elaborate Reich hoax. But our theory is that it may have been a double hoax. 

That is to say, two decoy bodies were left behind to facilitate the Fuhrer's escape. One was of the so-called look-alike Gustav Weber (although recent reports state that it was not Gustav Weber after all). The other, found burned in the Chancellery Garden, was that of the Pasewalk Hostage. To learn more about "extraordinary rendition" and the Pasewalk Hostage, please click here now. The bewildering question is this: If the man who died in the Berlin bunker was actually one of Hitler's doubles whose body was found and photographed by the Russian Army, then how did the real Adolf Hitler's corpse end up being burned in the Chancellery garden?   

Continue to Find Out> Go to Next Page>


 

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Athens Bunker: Extraordinary Rendition?

     In 1980 I briefly rented a basement apartment in Athens, Greece  (Lycabettus - Kolonaki district). One day while cleaning, I discovered a framed canvas that covered a metal door in one of the walls. It looked like a submarine door with an air lock. I called some friends over to help me open it. We had to remove parts of the wooden floor-boards. The bunker walls were a few feet thick. When we opened the door, we found the evidence of a Nazi torture chamber, which I immediately photographed.

The chair with a hole in it was found near the bloody mattress in a corner of the Lycabettus bunker next to a pile of burnt newspaper shreds from the early 1940s featuring articles about the Nazis.

A small ball of clay or soil, pressed around the foot of the chair, bewildered us. We later concluded that "feet of clay" were used to psychologically torture a hostage tied to the chair, who was probably ordered not to move, but to remain perfectly still and motionless at all times. Any movement of the chair would cause the clay lump to crumble and break into smaller fragments. The guards could then measure even the slightest movements that had occurred while they were not in the bunker, and punish the hostage accordingly. A hole in the seat of the chair may have been due to an act of extreme violence or a malicious experiment. I sent the photos to the local police department, but they arrived too late. When the authorities finally got there about a month later, I had been evicted and the evidence had already been removed.

It haunted me for some time. The big question was: who was the Lycabettus hostage or victim of this torture chamber? I visited libraries and bookstores looking for war photos that might resemble the Kolonaki bunker. Then in 1997, I found an official war picture that matched up perfectly. 

The mathematical likelihood that similarities between mattress folds, blood spots, and markings on the floor are due to random coincidences is astronomical. In other words, it is more probable that a comet will fall into your tea cup than for the bunker resemblances to be the results of sheer chance.

 
 
Please note that I am not out to "prove" anything with this description. I mainly wish to publish a report of what was found in the Lycabettus bunker so that legal investigators can establish what may have happened there. The only problem is this: The dead person in the official photo appears to be Adolf Hitler's double. The alleged body of the Nazi Fuehrer discovered in the Berlin Chancellery garden had only one testicle according to the Russian autopsy report.

What was a "ghost detainee" doing in the Kolonaki bunker? Was this a case of identity theft or extraordinary rendition? How long was the victim being held as a tortured hostage? How were the Nazis using the Kolonaki - Lycabettus district of Athens during World War Two? A war crime appears to have been committed in the Lycabettus bunker. But why are the authorities today not willing to discover who the victim actually was?

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