www.BlackRaiser.com

MISSION STATEMENT: The winter of 1973 was marked by the passing of a comet around the sun on Christmas day, perceived by some as a portent of the Second Coming. The Arab-Israeli War of 1973 destabilized the Middle East after Egypt and Syria attacked Israel. The American presidency was caught in the Watergate scandal. I was in Athens that year and unexpectedly found myself at the Polytechnic University demonstrations that brought down the military dictatorship of the Greek Colonels. Troubled by the emotional shock of escaping tanks, teargas, and political violence, I abstained from certain food and traveled in the spring to the Patmos group of islands, where I experienced the force of what is sometimes called a crisis apparition.

On the early morning of Saturday, April 20, 1974, as I sat near the port of the Aegean island of Mykonos, I met a man in black who telepathically revealed to me a metal seal, the cap of a well pipe in the flagstone near my feet, with the design of what he described as “the universe” engraved on it.

I noticed him standing alone near a small church when a dock worker looked briefly that way and then greeted me while rolling a noisy wooden cart past my chair, and into a narrow side street. I could feel the bluish-purple twilight mist of the bright morning star disappearing before sunrise. The man was well-dressed, like a bridegroom, or young business executive. I could hear his soft voice in my mind with remarkable clarity. He told me that his "Father" had claimed the judgment of Hitler's soul. 

Somewhat surprised, I tried to get up from my chair and walk on. But the stranger stopped me. Stepping forward, he stretched out both his arms with his fingers extended in my direction. Then he turned and looked across the distant sea. Dawn had arrived. But a thick black line (a dark rectangular aerial object) blocked out part of the orange sun, like the interlocked hands of a clock at 3:15. 

I heard him say "Peter, will you look at me?" When I did, the man set his balance, tightened his concentration, and asked me "Do you know what I must do?" 

He then broke the seal by melting its small central rod with an intense gaze, until I could see a cloud of steam or vapor swirling before his forehead.

I heard the loud trumpet-blast of a ship's horn, but I didn't see a large vessel in the dock. He walked towards me and said "Know the faith," as he passed by my chair. Then he vanished into the labyrinth of village footpaths behind me in the cool of the new day. The sun appeared as normal again.
 

Such experiences are generally referred to as "crisis apparitions" because they are associated with projections of the subconscious mind, usually due to stress or emotional shock. But in this case the psychological "illusion" had an effect on external matter - the center of the seal was broken - and I later photographed it to have a record.  My own feeling is that the resurrected Christ is in the world. The well seal was an ancient symbol of the hydrogen atom. Its broken nucleus signifies binary fission, the strongest force in nature.

Psychologist Carl Jung once mentioned a schizophrenic patient who claimed that he saw "the sun's penis." Jung referred to the sun-barge of the Alexandrian school of mysticism and a papyrus passage: "For you will see hanging down from the disc of the sun something that looks like a tube." There is evidence that other persons also saw a black line obstructing the Mykonos sun. The apparent atmospheric anomaly was recently photographed by a musician tourist in Mykonos.  http://one.revver.com/watch/38290/flv

A secret nuclear arms race began in the spring of 1974. Within days, India conducted its first atomic bomb test, code-named Smiling Buddha. Pakistan would eventually develop the Islamic Bomb and allegedly extend nuclear proliferation to suspected terrorist sponsors, such as Libya and Iran. A final confrontation named Armageddon was gloomily foreseen in the Middle East involving Israeli warheads produced in the Negev desert.

After weeks of study I learned that a very old seal design was the symbol of being marked or sealed in the forehead. So I returned to Mykonos that summer to photograph the strange metal plate. As soon as I arrived at the place of the well seal, another unusual thing happened. I felt someone behind me in the afternoon crowd push forward as if stumbling and lay their hands suddenly on my back. I pulled away and uttered a word of surprise. When I turned around, I saw a young woman in a white summer dress. She had a round birthmark on her forehead. Behind her stood two well-groomed young men. No one spoke, but I felt certain the impelling mark on her forehead was no coincidence. Did they also understand?  The broken seal was a stark souvenir of the strongest force in nature. I began to photograph it, thinking they would ask me what it was and I could explain what had occurred. But when I looked up from my camera, one of the strangers gently took the young woman by the hand and the three of them cheerfully walked away. Puzzled by what happened, I noted the time. It was 3:15. Three months had passed since my meeting with the mysterious man, at that very spot. The date was July 20, 1974, and Turkish warships were now gathering just beyond the sea's horizon for the full-scale invasion of Cyprus. An hour of darkness had arrived for the eastern Mediterranean. Sirens and distress signals wailed in the neighboring cities. Cyprus would become the last divided nation in the free world. - Peter Kapnistos

The White House (under the Carter administration) was informed of my 1974 meeting with the man in black and his striking disclosure of the metal seal. Since that occurrence, my story of the Mykonos seal has been published and retold (in more than one language) enough times to openly guess that over a hundred thousand people probably already know what this report is about.

Peter Fotis Kapnistos webmaster http://www.blackraiser.com/

brittle drawings, faint charts
 

A few pages of the "Bruce Codex" (also called the Codex Brucianus) from the Bodleian Library of the University of Oxford are available on the Internet. It contains 2nd century AD Coptic, Arabic, and Ethiopic manuscripts found in 1769 in upper Egypt by James Bruce, a Scottish traveler who explored the source of the Nile. The Bruce Codex manuscript was acquired by the British Museum and translated into English by Carl Schmidt (editor) and Violet Macdermot (translator) in 1892. It consists of the first and second Books of Jeu  (comprising The Book of the Great Logos according to the Mystery) and three fragments - an untitled text, an untitled hymn, and the text On the Passage of the Soul Through the Archons of the Midst. The Two Books of Jeu are also mentioned in the  Pistis Sophia (Askew Codex), an important Gnostic text acquired by the British Museum in 1795. Historians trace parts of the Bruce Codex to Valentinus, a theologian born in upper Egypt about 100 AD. He became a disciple of the Christian teacher Theudas who supposedly was a follower of St. Paul. Valentinus is often associated with "Saint Valentine" but the Catholic Church no longer lists the saint.

One of the remarkable aspects of the Books of Jeu (also called Books of Ieou) is that they consist of mystic and esoteric diagrams. Each is related to either a "treasury of light" permeated with projections (probolh) of entombed archetypes, or a sacred well ("it welled up in him") central to a series of apostolic baptismal rites. As such, the diagrams are not "magic spells" but early Christian motifs of liturgical art, its spirituality and theology. The main character is the resurrected Christ, who transfers "seals" to his disciples. The brittle drawings exhibit faint charts of concentric circles and rectangles. Much of the original papyrus detail has been "injured by time."

In the Books of Jeu the Saviour gave various seals to ascend to heaven. 
 

Joseph of Arimathea, according to the Gospels, was a member of the Sanhedrin who donated his tomb for the burial of Jesus. A series of legends during the Middle Ages tied him to Britain and the Holy Grail. The long lists of "Watchers" in the Books of Jeu may represent centurions, soldiers, elders, and scribes (also mentioned in scriptures) who locked the sepulcher with seals and pitched a tent to "watch it." Papyrus lists of the names of locksmith engineers, together with schematic drawings of their sepulcher devices, may have been required by Pontius Pilate for Rome's bureaucratic records, especially those concerning the sudden disappearance of Jesus Christ's body, and the seals of his tomb.

This is his type when he brings forth

Popular conspiracy theories such as Hugh Schonfield's Passover Plot (1965) suggest that some fanatical friends of Jesus secretly "rolled open" the door of his sepulcher and removed his body, or that of someone else who had been crucified in his place. These theories assume that the disciples (who warned us against wrongdoing) contrived to invent a lie and jump-start the Christian religion.

Such theories seriously lack any technical knowledge of the internal loculi seals used in Jewish tombs.

Once shut, the stone doors were as impregnable as modern-day bank vaults, because the tombs of ancient nobles contained relics of great value. The idea that Christ's sepulcher could be easily rolled opened without the centurion's exactly-fitted spanner wrenches (keys for gripping and moving the bolts of locks or turning valves) is unwary and misleading.

A straightforward, literary description of various manuscripts indicates that unique keys were used to seal the tomb of Jesus Christ.

It welled up in him...

abyss: a bottomless well or pit.

abba: father, a title of respect.

On one hand, the Jeu seal was a symbol of a bottomless pit, as the King James Bible calls it,  emitting the smoke of a furnace for the second death. Beneath a fog of mystery, the seal was moved from a tomb to a bottomless void where its chasm draws the unwise like an Apocalyptic black hole. The abyssos of Greek mythology was envisaged as something unfathomably deep, a primitive ocean, the realm of the dead, or a prison for spirits.

Diagrams in the Books of Jeu present two primary themes: (1) The rectangular Place of Jesus (in the red highlighted area) is also called the Treasury of Light. A plane surface door, burial bench, or sealed sarcophagus (stone coffin), associated with the tomb of Christ, is shown directly below it, with a list of "watchers" to the right. Typical tombs of that period had rectangular, almost square low entrances with steps that led down to a rectangular standing pit lined on three sides with benches.

(2) The small diagram on the far right (blue highlighted area) shows a concave "well" or receptacle, curved like the interior of a sphere. A second list of names is directly below it. The text says: "For these watchers do not belong to the ranks of the treasuries of the light." Instead, they "stand within the gates." The circular bowl may represent the sealed mouth of a well (abyssos), which at the End Times will give up its dead, in the same manner as Christ's tomb. 

The moving of seals from the holy sepulcher to an abysmal pit involves two phenomena in psychology: transference, a subconscious redirection of feelings, and enantiodromia, the process by which something becomes its opposite. But Christianity was not a special deal or Gnostic truce of dualism between the forces of good and evil. Instead, ultimate opposites become equal by the imposed victory of mutual annihilation or the harrowing of hell repressed in the seat of the world's collective consciousness.

As for the mystery of how they were moved from a tomb to a well, the Books of Jeu  signify that it was done by holy "watchers," under the superintendence of the resurrected Christ himself. It is an inexplicable matter of his anastash (anastasi) or rising from the dead. Festive village customs for the saints venerated in Patmos, Mykonos, Tinos, and other nearby fisherman islands have maintained a traditional, almost mystical, reception for XENO, the alien, stranger, traveler, or guest ("Be not forgetful to entertain strangers: for thereby some have entertained angels unawares." Hebrews 13:1-2). The sacred cave of Patmos, known as the Grotto of the Revelation, is where St. John conversed with holy strangers and messengers when he composed the biblical Apocalypse and the Fourth Gospel. At Easter, the island of Tinos is a major pilgrimage destination for thousands who come to be blessed, healed, or baptized. 

emanation

 probolh: projection, exposure.

The Bruce Codex manuscript functions on two levels, intricately bound together. Its practical aspect is as a ceremonial guide (soteriology). It contains illustrated directions for fastening seals to the locking devices of an ancient tomb or well concerning Jesus Christ's resurrection. But its theoretical aspect is one of intelligent design (cosmology). The seal is also a map of empirical reality or the kingdom of God; an accurate representation of space, describing the structure of the indivisible, and the totality of what exists. 

Text in the Bruce Codex calls the Father "the indivisible one."

In the nucleus: "The three lines which are thus,"

Three parallel lines of force make a rotating center (kernel or nucleus): a alpha (the first),  w omega (the last), beta b (the middle).

The Greek word ATOMO means: indivisible, the smallest monad or particle. It also means a single being, an individual or person. "This is he who has never divided."

Near the top: "The three lines which are thus,"
 

  u

Notice above how the ancient tryblion (plate measure) symbol looks like the Latin word Ju. The most important  Bruce Codex manuscripts are called (by all means) the Books of Jeu. But to those who recognize the meaning of TU in the middle of the disc diagram, a coiled serif base is compelling because the esoteric names may now be interpreted as Books of  (the Tryblion) or Books of the Grail. Most historians agree that the diagrams in the Bruce Codex manuscripts are approximately two thousand years old. The original seal drawings probably predated the supplementary Coptic text.
 

To suggest that the well seals found near the monastery of Patmos and its nearby island churches were put there by "Gnostic magicians" is nonsense, because Patmos is the spiritual base of St. John's Revelation (Apocalypse).

The early Church Fathers never set restrictions to seeking Christ as "Lord of the atom." After all,  atom means person  in Greek, and atomic means personal. Democritus and Leucippus were known in the days of  Jesus.

Inquisitors of the Middle Ages objected to pompous talk of Jesus as "Son of the atom." Defenseless offenders were persecuted and the atomistic ideas of Pythagoras, Democritus, Plato, and other philosophers were prohibited.

The ancient Greek language had the vocabulary to infer that God is a person (ATOMO) whose primal atom is not a spiritless being, but a living word that creates and gives reason to our universe. The "Atomic Christ," is God's Personal Saviour, not the persona of an inanimate, material thing.
 

Jewish tombs for the wealthy were prepared beforehand. Their sepulchres were sometimes marked by pillars or cherubim and were often "closed by a very curious and elaborate contrivance." This elaborate contrivance, essentially Jewish, but hardly known elsewhere, consisted of loculi (small cavities) around the inside of the burial apartment. Like hollow columns, the enclosing walls of the loculi were high enough to support the stone door that covered the tomb. The stone door was fitted to the end, luted into a groove which existed there, and sealed with locking devices through its internal loculi keyholes.

One of the Book of Jeu diagrams depicts the edgewise or side view of a seal (in the blue highlighted area), revealing a shell collar or metal jacket around it. The plate disc seal is a cap, encased in a shell at the top of the loculus (small cavity), which extends down like a hollow tube or pipe. Loculi, or kochim, were cut vertically into the rock some 6½ feet deep, and 1½ feet wide.

   The text says: 

His name:
...
Jeu

His Character is this:

One of the Book of Jeu diagrams looks like the schematic plan of a beveled, flat piece of solid material, sliding into a hollow track. It may represent the door of Christ's tomb as it was luted [Latin lutum mud] into a groove with a substance for sealing joints. The vertical lines at the bottom may indicate the position of a loculus seal.

The door was a flat, even-surfaced lid with sloping edges, which opened and closed by sliding in and out of a groove at the entrance of the sepulcher. According to the Book of Jeu text, three watchers were assigned as guards over the object depicted in the diagram, with various ranks below them. Following the example of the cherubim of God's throne, it apparently took 12 men to move or slide the object, with "six heads on this side and six on that, turned towards each other." 

The text says: I will take for myself twelve out of those ranks and place them so that they serve me.

"Did the tomb of Jesus have a circular stone that blocked its entrance, as is so often imagined? The odds are against it. Professor Amos Kloner of Israel's Bar-Ilan University thinks that the Greek word kulio used in Mark, Matthew and Luke and usually translated as “rolled,” can be also translated simply as “moved,” [in fact, kulio actually means "slid" in Greek] bringing it in line with John’s Gospel that says the stone was taken away." -  http://www.innerexplorations.com/ 
Kloner’s suggestion that the blocking stone was rectangular has received support from other scholars such as Biddle, Gibson, and Taylor.
  

Entering the rectangular Place of Jesus (Treasury of Light) from the unsealed door, one encounters a low entranceway supported by a structure of flat steps leading down to a standing pit lined with burial benches "from one side after another of each treasury." The entrance passages of elaborate Jewish tomb complexes of the second temple period were probably designed with certain dead-ends as a puzzle for tomb raiders. The hidden passageway to the inner sarcophagus or burial chamber may be the small hint of a line concealed within the red highlighted area.

The text says: 

It radiated within him through this small idea (thought) ' which came forth from the treasuries of my Father.

In some books, the seals from the tomb of Christ are found on a well which represents the bottomless pit, for the harrowing of hell or the last judgment. They are no longer in Jerusalem, but somewhere to the west ("the way of the sun setting"),  mysteriously transplanted to a place or island beyond "the ocean that beareth the foundation of the heaven." (i.e. the keys of the kingdom shall be given to another nation). The seals are attached to the water shaft of abyssos, symbolic of the unconscious mind. The Seal of God is connected with the initiation of baptism or holy water from a sacred well.

Until the 1960s, a well was the main water supply for the Monastery of St. John the Theologian, on Patmos.

Drawings in the Books of Jeu exhibit two basic forms: (1) The rectangular Place of Jesus (in the red highlighted area) is also called the Treasury of Light, a familiar denotation for the tomb of Christ. The projection of divine light corresponds to his rising from the dead. According to tradition, a spark from the Holy Sepulchre lights the flame of the Orthodox Easter ceremony of worship.

(2) The circular diagram (blue highlighted area) is identified in the text with "springing up," as from a well or fountain. The round well basin is divided into sectors, like the designs sometimes found on Passover seder plates (kaarah or tryblion). The small dots in the circle correspond to the six points of a double-triangle, known in Hebrew as the star or shield of David (Magen David). The medieval Sigil of Ameth (Sigillum Dei Aemeth) was a circular symbol with six-pointed figures and the names of God and various angels inscribed thereon. Alchemists of Elizabethan England called it the "Seal of God's Truth."

The text says:

For this reason he gave voice when the power welled up within him.

Like the common skeleton key, well seals and their spanner wrenches are still in use and have changed little since Roman times. Internal loculi spaces beneath the seals are keyholes for shutoff valves and outlets. The oldest known lock is estimated to be 4,000 years old. It was a forerunner to a pin tumbler type of lock. On the islands of Patmos and Mykonos, subterranean wells were the main sources of drinking water until the 1960s. 

The seals from Christ's tomb being moved to a well shaft may seem odd at first. But in Jewish tombs, hollow cavities were like stone tubes. Sealing the door of the tomb was like capping water well pipes. Christ's stay in the tomb was symbolic of the descent to hell,  manifest in the last days as going through an ancient well named abyssos. 

"And he smote his teeth together, gnashing them, and there came up out of the bottomless pit a wheel having a sword flashing with fire, and in the sword were pipes. And I (he) asked him saying; What is this sword? And he said: This sword is the sword of the gluttonous: for into this pipe are sent they that through their gluttony devise all manner of sin; into the second pipe are sent the backbiters which backbite their neighbour secretly; into the third pipe are sent the hypocrites and the rest whom I overthrow by my contrivance. (Lat. And Antichrist said: I will tell thee. And a wheel came up out of the abyss, having seven fiery knives. The first knife hath twelve pipes (canales)... Antichrist answered: The pipe of fire in the first knife, in it are put the casters of lots and diviners and enchanters, and they that believe in them or have sought them, because in the iniquity of their heart they have invented false divinations. In the second pipe of fire are first the blasphemers... suicides... idolators... In the rest are first perjurers... (long enumeration)."
Nuclear reactors require pipes of many different sizes made of many different kinds of materials; pipelines buried in the ground, a vast network, a maze of pipes.

Notice that the seal set over the bottomless pit (Rev. 20:3) was placed there by an angel of God, and should not be confused with the mark of the beast. Infamous signs of iniquity, wickedness, and gross injustice are the Skull and Crossbones and the Nazi Swastika. The death's head symbol was displayed as the poison warning of "Jolly Roger" on the flags of pirate fleets. It was probably originally known to crusaders as Bloody John or Mato-Gianni, representing the severed head (baphomet) of John the Baptist, after some of the Templars (Knights of St. John) abandoned sanctimony and took to piracy. In the 20th century, a death's head became the official hat insignia (mark of beast on the forehead) of the Nazi SS. Traces of the baphomet sign are found in death's head signet rings (mark of beast on the hand) and pugnacious arm bands or tattoos. As a modern benchmark of who can "buy and sell" global power, it is also reflected in the name of Yale's Skull and Bones fraternal crypt society. Shocking videos from the Middle East showing masked men beheading their hostages have invoked public concern. Skull and Bones allegedly keeps a gruesome skull collection, including the head of the Apache Indian chief Geronimo.

In early sources and in some later ones, the Holy Grail is something very different from the cup of the Last Supper. The term "grail" comes from the Latin gradale, which meant a dish. The corresponding Greek diskopothro (diskopotiro) is a disc-vessel. Another name for the Holy Grail is the Sacred Tryblion or Ieron Trublion (as in the Latin tribulum "threshing sledge," from terere "to rub, turn or throw"). The common household or "megista" tryblion was a flat disc-shaped receptacle with a small, concave bowl or "well" in its middle, curved like the interior of a sphere, often used by doctors to measure out small quantities ("spoonfuls") for prescriptions.